{"id":10793,"date":"2018-01-18T15:40:33","date_gmt":"2018-01-18T15:40:33","guid":{"rendered":"https:\/\/quaternio.ch\/?page_id=10793\/"},"modified":"2023-09-13T09:12:13","modified_gmt":"2023-09-13T09:12:13","slug":"the-golden-gradual-of-gisela-von-kerssenbrock","status":"publish","type":"page","link":"https:\/\/quaternio.ch\/en\/facsimile-editions-manuscripts\/the-golden-gradual-of-gisela-von-kerssenbrock\/","title":{"rendered":"The Golden Gradual of Gisela von Kerssenbrock"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|phone” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Haupt\u00fcberschriften GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

The Golden Gradual of Gisela of Kerssenbrock<\/span><\/strong><\/h1>\n

The Splendour of German Gothic Book Illumination<\/span><\/em><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”15px||25px|” custom_padding_tablet=”0px|||” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Sprungnavigation GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Manuscript<\/a> | Magnifying glass<\/a> | Edition<\/a> | Music<\/a> | Browse<\/a> | Production<\/a> | Facsimile folder<\/a> | Request brochure<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” parallax_method_2=”off” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Teaser und Zitat GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”25px|||” custom_padding_last_edited=”on|desktop” use_border_color=”off”]The Gradual of Gisela of Kerssenbrock<\/em> or Codex Gisle<\/em> is an exceptionally sumptuous manuscript, given that it contains the musical parts of the Mass. Be enthralled by its magnificent ornamentation, featuring 53 large historiated initials and more than 200 smaller initials, sparkling burnished gold, decorated medallions, gold script and coloured musical notation!
\n“Bearing witness to the excellent quality of German Gothic book illumination, the Codex Gisle<\/em> is indeed unique to our area. The richly decorated initials of the codex clearly demonstrate the high standard set for monastic chants [\u2026]. With the edition of a facsimile by Quaternio Editions Lucerne, this treasure has been recovered and placed alongside the best European works of art.” (Hermann Queckenstedt, Director of the Diocesan Museum, Osnabr\u00fcck)[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_gallery gallery_ids=”17197,17194″ fullwidth=”on” admin_label=”Galerie – Wechsel zwischen aufgeschlagenem Band und Einband GIS” _builder_version=”3.0.96″ use_border_color=”off” border_color=”#eaeaea” border_width=”1px” border_style=”solid” gallery_captions=”,”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”5″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||25px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|phone” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Sprungmarke und \u00dcberschrift %22Handschrift%22 GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Codex Gisle<\/span><\/p>\n

The Golden Gradual of Gisela of Kerssenbrock: The Manuscript<\/span><\/strong><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||35px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” parallax_method_2=”off” admin_label=”row” custom_padding_last_edited=”on|phone” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Detailbild – ganze Seite (Code) GIS” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_style=”solid”]\"Codex<\/a>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Meisterwerk norddeutscher Gotik EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

A Masterpiece of German Gothic<\/em><\/span><\/h3>\n

The Golden Gradual of Gisela of Kerssenbrock<\/em> is the most beautiful manuscript made in Lower Saxony-Westphalia in the period between 1250 and 1400. Its outstanding quality is based on the wealth and elegance of the initials often elaborated to incorporate veritable miniatures. Especially surprising are a number of unusual motifs, like the presentation of the Christ Child by Joseph in the initial depicting the Nativity. Sparkling burnished gold was generously applied to the backgrounds and also to the script. The great number of historiated initials is certainly exceptional for a Gothic gradual. The marvellous illustrations inserted at Christmas and Easter create a visual experience of the chants sung at Mass.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”35px||35px|” custom_padding_tablet=”||35px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” parallax_method_2=”off” parallax_method_3=”off” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Gesungenes Gotteslob GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Hymns in Praise of God<\/em><\/span><\/h3>\n

The Golden Gradual of Gisela von Kerssenbrock<\/em> comprises about 1500 Gregorian chants, thereby more than doubling the regular repertory of other Graduals of the time. The Gradual compiles all of the musical parts which are sung at Mass and celebrated daily throughout the church year. It includes the parts not read by the priest but sung by a choir. Singing choral refrains between Psalm verses that praise the word of God was an essential part of the Christian liturgy, and hence a central element in the celebration of the Mass by religious orders. In the convent of Rulle near Osnabr\u00fcck, the cantrix would reverently prop up the Golden Gradual on the ambo, then sing the opening words of the Gradual and guide the choir formed by some of her fellow nuns.[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Gisela von Kerssenbrock GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Gisela von Kerssenbrock<\/em><\/span><\/h3>\n

Only very rarely have the names of the early book illuminators been passed down to us. This is quite different in the case of the Golden Gradual, where the nun “Gisle” is even depicted twice. Gisela von Kerssenbrock (\u2020 by 1300) was the cantrix of the Cistercian convent of Rulle. As the choir mistress she was responsible for the choral singing and for the liturgical books of the convent. We can assume that she played an important part in creating the splendid Gradual: from her family estate she donated the necessary financial means; then she procured the model, participated in designing the pictorial program, decided which workshop should execute the decorated initials, and instructed the scriptorium of her convent.[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_image src=”https:\/\/quaternio.ch\/wp-content\/uploads\/2016\/05\/GIS_p139_Gisle.png” alt=”Codex Gisle, Darstellung der Gisela von Kerssenbrock auf p. 139″ title_text=”Codex Gisle, Darstellung der Gisela von Kerssenbrock auf p. 139″ show_bottom_space=”off” admin_label=”Bild – Gisela von Kerssenbrock GIS” _builder_version=”3.0.47″ use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”off” sticky=”on”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”5″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_text admin_label=”Text – Sprungmarke und \u00dcberschrift %22Unter der Lupe%22 GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Codex Gisle<\/span><\/p>\n

Under the Magnifying Glass: Decorated Initials Filled with Miniatures<\/em><\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||35px|” padding_top_2=”8px” padding_top_3=”8px” parallax_method_1=”off” parallax_method_2=”off” parallax_method_3=”off” padding_1_last_edited=”on|desktop” padding_2_last_edited=”on|desktop” padding_3_last_edited=”on|tablet” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.0.47″ padding_last_edited=”on|desktop” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Code Lupe GIS” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_style=”solid”]

\"Codex<\/a><\/div>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ padding_last_edited=”on|desktop” padding_top=”8px” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Einordnung (Kunst) des Lupenbildes GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]In the Golden Gradual of Gisela von Kerssenbrock<\/em> from around 1300, the pictorial decoration is mostly executed in the form of initials. The huge number of 53 historiated initials in this grand manuscript exceeds by far the illumination in graduals of the time, commonly restricted to 15 to 20 initials. Assigned to the corresponding Sundays and feast days, the major events of Christ’s life and the stations of his passion are illustrated here. Natural and unaffected in style, the miniatures are the authentic expression of a deeply felt devotion. Certain decorated initials marking major feast days occupy almost the whole page. In descending order, there are also five-, four-, three-, and two-line initials as well as innumerable ornamented initial letters. The size of a letter and the scope of its ornamentation correspond to the relative importance of a hymn.[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ padding_last_edited=”on|tablet” padding_top=”8px” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Beschreibung des Lupenbildes GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” saved_tabs=”all”]Accordingly, the most elaborate illumination in the Golden Gradual of Gisela von Kerssenbrock<\/em> marks the principal feast of the liturgical year: the Mass at Easter Sunday. It is opened by a richly decorated page (p.\u00a0139 \/ fol.\u00a070r) containing the entrance chant “Resurrexi” (I am risen). Almost the entire page is devoted to the initial R, surrounded by ten medallions, with majuscule script in gold, and the musical notation alternately written in red and blue. Represented in the infillings of the letter are the pictures of Christ’s Descent into Hell and the Resurrection. Below, identified by his wounds, a robe and the banner of the Resurrection, Christ triumphs over the gates of Hell, and above, he rises from his tomb. On the left beside the sarcophagus, the Virgin is represented kneeling, as is the nun Gisle outside the initial, on the leaf of a tendril extender.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”5″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||25px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Sprungmarke und \u00dcberschrift %22Edition%22 GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Codex Gisle<\/span><\/p>\n

The Golden Gradual of Gisela von Kerssenbrock: The Edition<\/span><\/strong><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||35px|” padding_mobile=”off” column_padding_mobile=”on” padding_top_1=”10px” parallax_method_1=”off” parallax_method_2=”off” padding_1_last_edited=”on|desktop” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.0.47″ padding_last_edited=”on|desktop” padding_top=”10px” column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_image src=”https:\/\/quaternio.ch\/wp-content\/uploads\/2016\/05\/GIS_Edition.jpg” alt=”Codex Gisle, Faksimile-Edition, Band stehend und aufgeschlagen” title_text=”Codex Gisle, Faksimile-Edition” show_bottom_space=”off” align=”center” admin_label=”Bild – Edition GIS” _builder_version=”3.0.47″ use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”off” sticky=”on”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Edition GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

The Manuscript and the Facsimile at a Glance<\/span><\/em><\/h3>\n

Both the original and the facsimile of the Golden Gradual of Gisela von Kerssenbrock<\/em> seem to be bursting with gold and colours.<\/p>\n

Manuscript:<\/strong> Osnabr\u00fcck, Di\u00f6zesanarchiv, Ma 101<\/span>
\n Date of Origin:<\/strong> c. 1300<\/span>
\n Place of Origin:<\/strong> Rulle Abbey, Osnabr\u00fcck<\/span>
\n Dimensions:<\/strong> c. 35.5 x 26.0 cm<\/span>
\n Extent:<\/strong> 344 pages (172 leaves)<\/span>
\n Artists:<\/strong> professional workshop of book illumination in the diocesan city of Osnabr\u00fcck, Gisela von Kerssenbrock<\/span>
\n Patron:<\/strong> Gisela von Kerssenbrock<\/span>
\n Illumination:<\/strong> 53 historiated initials, 201 gold initials on a coloured ground, 15 inititals in blue and gold on red fleuronn\u00e9 pen work, decorated medallions, fine foliate sprays, musical notation in colours<\/span>
\n Binding:<\/strong> light brown leather, blind-tooled all over, brass corner pieces and clasps (original from the 16th century)<\/span>
\n Commentary in 2 volumes for the Facsimile Edition, incl. a CD<\/strong> by Harald Wolter-von dem Knesebeck \/ Beate Braun-Niehr \/ Hermann Queckenstedt \/ Fabian Kolb<\/span>
\nPrint run:<\/strong> 480 copies<\/span><\/p>\n

<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”10″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||35px|” custom_margin=”15px|||” padding_top_1=”2px” padding_top_2=”10px” parallax_method_1=”off” parallax_method_2=”off” padding_1_last_edited=”on|desktop” padding_2_last_edited=”on|desktop” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin_last_edited=”on|desktop”][et_pb_column type=”1_2″ _builder_version=”3.0.47″ padding_last_edited=”on|desktop” padding_top=”2px” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Code Detail (Nonnenchor) – ganze Seite (GIS, p. 25)” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]\"Codex<\/a>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.0.47″ padding_last_edited=”on|desktop” padding_top=”10px” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Edition GIS – Musik EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||25px|” custom_margin_last_edited=”on|desktop” use_border_color=”off”]<\/p>\n

Music from the Golden Gradual of Gisela von Kerssenbrock<\/span><\/em><\/h3>\n

Nine chants from the Golden Gradual of Gisela von Kerssenbrock<\/em> are recorded by the Schola Cantorum of Women of the Youth Choir Osnabr\u00fcck on 24 November 2014. (The audio sample is the Introitus of the Christmas mass “Puer natus est nobis”.)[\/et_pb_text][et_pb_audio audio=”https:\/\/quaternio.ch\/wp-content\/uploads\/2016\/05\/02-Titel-02.mp3″ album_name=”%22Puer natus est nobis%22″ background_color=”#f5f5f5″ background_layout=”light” admin_label=”Audio GIS” _builder_version=”3.0.96″ title_font=”|on|||” title_font_size=”1″ title_font_size_last_edited=”off|desktop” caption_font=”|on|||” caption_text_color=”#666666″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”10px||12px|” custom_margin_last_edited=”on|desktop” use_border_color=”off”][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”10″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_text admin_label=”Text – Kurzbeschreibung Bl\u00e4tterbuch GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Codex Gisle<\/span><\/p>\n

Enjoy Viewing 10 Sample Pages:<\/span><\/h3>\n

A Glance at the Facsimile<\/em><\/span><\/h3>\n

The section of the Golden Gradual of Gisela von Kerssenbrock<\/em> presented here comprises pages 136 to 145.
\nThese passages refer to Easter and contain the Asperges chants sung at the ceremony of sprinkling holy water during Mass on Easter Sunday, Easter Monday and Easter Tuesday. The relative importance of the various chants is reflected by the hierarchy of the initials, ranging from gold letters with fleuronn\u00e9 pen work or a coloured background, by way of historiated initials of various sizes, up to the sumptuous full-page decorated initials. On each page, 10 to 12 staves are drawn for the musical notation of the corresponding text lines.[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_code admin_label=”Code – Bl\u00e4tterbuch GIS” _builder_version=”3.0.47″][\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider height=”5″ disabled_on=”on|on|off” admin_label=”Teiler – Unsichtbarer Abstandhalter” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”5″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||25px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|phone” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Sprungmarke und \u00dcberschrift %22Herstellung%22 GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Codex Gisle<\/span><\/p>\n

A Challenging Production: fac simile<\/em><\/span><\/strong><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||35px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” parallax_method_2=”off” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_image src=”https:\/\/quaternio.ch\/wp-content\/uploads\/2016\/05\/GIS_Vergleich_mit_dem_Original.png” alt=”Codex Gisle, Vergleich von Andruck und Original” title_text=”Codex Gisle, Vergleich von Andruck und Original” show_bottom_space=”off” align=”right” admin_label=”Bild – Herstellung 1 (Andruckvergleich) GIS” _builder_version=”3.0.47″ use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”off” sticky=”on”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Herstellung – Mit geschultem Blick GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

With an Expert Eye<\/em><\/span><\/h4>\n

After the digital photography of the Golden Gradual of Gisela von Kerssenbrock<\/em> has been taken at the Diocesan Archive of Osnabr\u00fcck, the photographer and the lithographer analyse the digital data taken on the premises. Subsequently, the lithographer prepares the data for the colour and the gold prints. He then compares the printing proofs of each page with the original in the Diocesan Archive. The lithographer looks for the smallest colour discrepancies and corrects them – a process demanding an expert eye and a good deal of experience. Before the limited edition can be printed, many proof runs are necessary until the desired similarity with the original in every detail is achieved.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”35px||45px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” parallax_method_2=”off” parallax_method_3=”off” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Herstellung – Handwerk vom Feinsten GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Craftsmanship at its Best<\/em><\/span><\/h4>\n

For the binding of the Golden Gradual of Gisela von Kerssenbrock<\/em> the bookbinder selects leather sheets of matching colour. Then the leather is thinned to facilitate drawing it over the massive wooden board. Prior to that, the edges of the boards have been beveled. For blind tooling the leather, stamps have to be specially made both for the front and back covers. In order for the nine cords to be raised uniformly, each facsimile is placed in a block press for 24 hours. Subsequently, the book binder uses a fillet to impress fine decorative lines into the spine. He finally fastens the corner pieces and the two clasps to the codex.<\/p>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_image src=”https:\/\/quaternio.ch\/wp-content\/uploads\/2016\/05\/GIS_Filete_neu.jpg” alt=”Codex Gisle, Buchbinderarbeit, Pr\u00e4gung der Linien auf dem R\u00fccken mit der Filete” title_text=”Codex Gisle, Pr\u00e4gung der Linien auf dem Buchr\u00fccken mit der Filete” show_bottom_space=”off” admin_label=”Bild – Herstellung 2a – Filete GIS” _builder_version=”3.0.47″ use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”off” sticky=”on”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_image src=”https:\/\/quaternio.ch\/wp-content\/uploads\/2016\/05\/GIS_Schliessen_nageln.jpg” alt=”Codex Gisle, Buchbinderarbeit, Montage der Schlie\u00dfen” title_text=”Codex Gisle, Montage der Schlie\u00dfen” show_bottom_space=”off” admin_label=”Bild – Herstellung 2b – Montage der Schlie\u00dfen GIS” _builder_version=”3.0.47″ use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”off” sticky=”on”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”5″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||25px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|phone” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – \u00dcberschrift und Sprungziel Doku-Mappe GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]<\/p>\n

Codex Gisle<\/span><\/p>\n

The Facsimile Folder for the Edition<\/span><\/strong><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”||35px|” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” parallax_method_2=”off” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”2_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_image src=”https:\/\/quaternio.ch\/wp-content\/uploads\/2016\/05\/GIS_Doku.jpg” alt=”Codex Gisle, Faksimilemappe zur Edition” title_text=”Codex Gisle, Faksimilemappe zur Edition” show_bottom_space=”off” align=”right” admin_label=”Bild – Doku-Mappe stimmungsvoll GIS” _builder_version=”3.0.47″ custom_margin_last_edited=”on|phone” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”off” sticky=”on”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Doku-Mappe GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”]Quaternio Editions Lucerne has made a special documentation folder for the Golden Gradual of Gisela von Kerssenbrock<\/em> so that you can get a first-hand impression of this high-quality facsimile edition. The folder contains two original facsimile leaves depicting two historiated initials on a gold ground: Mary and Joseph on the road to Bethlehem (p. 17) and Christ leading the Elect into Paradise (p. 142). Detailed captions explain the chants and help to understand the numerous initials. In the 12-page brochure, learn more about the history and the illumination of the gradual shimmering with gold. Gisela von Kerssenbrock is introduced as an artist, the donatrix of the gradual and the cantrix of her convent. A separate section is dedicated to the music and the meditative power of the pictures.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” disabled_on=”on|on|” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_divider color=”#eaeaea” show_divider=”on” divider_weight=”1px” height=”5″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”on”][et_pb_text admin_label=”Text – Sprungziel Mehr Information GIS” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_style=”solid”]<\/p>\n

Codex Gisle<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0px|180px|25px|180px” custom_padding_tablet=”0px|0px|25px|0px” column_padding_mobile=”on” parallax_method_1=”off” parallax_method_2=”off” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_blurb title=”Order facsimile folder” url=”https:\/\/www.shop-quaternio.de\/faksimilemappen\/6\/der-codex-gisle?c=9″ use_icon=”on” font_icon=”%%82%%” icon_color=”#9e9e9e” admin_label=”Shopbestellung GIS Vergriffen” _builder_version=”3.0.96″ header_font=”|700|||||||” header_font_size=”16″ header_text_color=”#b30033″ header_line_height=”2em” body_font_size=”13″ text_orientation=”center” animation=”off”]This facsimile folder is unfortunately out of print. All other facsimile folders of Quaternio Verlag Luzern are still available in the shop.[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_blurb title=”Request brochure” url=”https:\/\/quaternio.ch\/en\/facsimile-editions-manuscripts\/the-golden-gradual-of-gisela-von-kerssenbrock\/request-broschure-ix\/” use_icon=”on” font_icon=”%%83%%” icon_color=”#9e9e9e” admin_label=”Informationstext – Prospektanforderung und Preisanfrage GIS EN” _builder_version=”3.0.96″ header_font=”|on|||” header_font_size=”16″ header_text_color=”#b30033″ header_line_height=”2em” body_font_size=”13″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”center” max_width_tablet=”50px” animation=”off” use_border_color=”off”]We would be glad to provide you with additional information regarding the fine art facsimile edition of the Golden Gradual of Gisela von Kerssenbrock<\/em>. Click here to order the brochure.[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=”off” custom_margin=”||15px|” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin_last_edited=”on|phone”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_divider height=”5″ disabled_on=”on|on|off” _builder_version=”3.0.47″ hide_on_mobile=”on”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ custom_padding_tablet=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|phone” _builder_version=”3.0.47″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ column_padding_mobile=”on” parallax=”off” parallax_method=”off”][et_pb_text admin_label=”Text – Haupt\u00fcberschriften GIS EN” _builder_version=”3.0.96″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off”] The Golden Gradual of Gisela of Kerssenbrock The Splendour of German Gothic Book Illumination [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”15px||25px|” custom_padding_tablet=”0px|||” padding_mobile=”off” column_padding_mobile=”on” parallax_method_1=”off” admin_label=”row” custom_padding_last_edited=”on|desktop” _builder_version=”3.0.47″ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":10524,"menu_order":140,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/pages\/10793"}],"collection":[{"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/comments?post=10793"}],"version-history":[{"count":20,"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/pages\/10793\/revisions"}],"predecessor-version":[{"id":17201,"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/pages\/10793\/revisions\/17201"}],"up":[{"embeddable":true,"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/pages\/10524"}],"wp:attachment":[{"href":"https:\/\/quaternio.ch\/en\/wp-json\/wp\/v2\/media?parent=10793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}