The Passau Evangelary
The Romanesque Art of Manuscript Illumination in Gold and Silver
The monumental miniatures of the Passau Evangelary attest to the vigour and expressive power of Romanesque art. The spectator is immediately enthralled by the extensive application of gold and silver and the vibrant colours. Virtually all the pages are embellished with fancifully decorated initials. Fine gold initials adorned with foliate scrolls, flowers, animals and figures introduce the passages of the Gospel texts to be read at Mass on certain days of the church year. Let yourself be captivated by the magic of this wonderful book illumination! The manuscript is among the few extant examples bearing witness to the rich tradition of Romanesque book illumination in Passau. The facsimile edition now creates an opportunity for you to discover this treasure trove of powerful images.
The Passau Evangelary: The Manuscript
Created by Two Masters
Two book illuminators congenially participated in creating the Passau Evangelary; with each one working by sections or gatherings, they executed the miniatures and decorated the initials. Named after the subjects of their most prominent miniatures, the painters are called the “Saint Peter Master” and the “Ecclesia Master”. A closer look reveals marked differences in style and details between the two artists, especially in the faces and drapery of the garments, as well as in the design of the initials displaying gold letters on a blue and green background. An extraordinary feature of the manuscript is the use of double initials where in addition to the recurring letter “I” of the introductory formula “In illo tempore”, the first letter of the pericope proper is also executed as a decorated initial.
Radiant Sacred Texts
An Evangelary contains the readings (pericopes) from the four Gospels used in the Mass, allocated to certain days in the calendar of the Church year. Well into the Late Middle Ages, the Evangelary remained among the major liturgical books, indispensable for every church, monastery or convent. The Passau Evangelary is solely dedicated to the principal Christian feasts. Made for use on feast days to glorify the word of God, the Evangelary was generously adorned with an especially rich and lavish decoration. The miniatures and the initials of the Gospel readings sparkle with gold and silver, thus attesting to the close relationship between Christian worship and elaborate Romanesque book art.
A Unique Testimony
Highly esteemed by kings, princes and clerical institutions, a number of richly decorated manuscripts were written and illuminated during the twelfth century in the thriving diocesan town of Passau. The monastery of the Augustinian Canons of St. Nicola, founded around 1067, was an important center for the production of manuscripts. However, over the centuries this rich tradition was almost completely extinguished by catastrophes such as fires or banishments. Made in St. Nicola around 1180, the Passau Evangelary is therefore of immense value, as it is one of the few remaining examples that testify to the artistically refined and autonomous art of book illumination in Passau from the Romanesque period.
Under the Magnifying Glass: Byzantine Influences in Expressive Miniatures
The Passau Evangelary is influenced by stylistic elements of Byzantine painting which were transmitted to southern Germany by way of Salzburg. This is indeed made obvious by the extensive use of gold backgrounds, the facial types and the drapery of the garments, as well as by the flesh tones. The long, curved noses with tips bent downward and the stern facial expressions generally recall Byzantine figure types, showing a strong similarity with the representation of Byzantine saints. While displaying characteristic differences, both of the Passau book illuminators used white highlights and olive-green shading under the eyes, as well as red spots on the cheeks, in modelling the faces of their figures.
The orientalizing foliate decoration displayed between the two gleaming silver frames on fol. 37v also points to Byzantine influences. The miniature depicts the Nativity of the Virgin in a representation of exceptional quality and special beauty, with intensely radiating hues of blue and gold. Lying on her bed, Saint Anne seems lost in thought, while two maidservants take care of her new-born child. The plasticity of the bodies and the form-designing treatment of the garments are characteristic features of Romanesque book illumination. The preciously ornamented garments are carefully draped to model the physical forms of the figures. This miniature was executed by the Ecclesia Master, as is evident from the finely chiseled facial features and the slightly curved nasal bridges.
The Passau Evangelary: The Edition
The Manuscript and the Facsimile at a Glance
In the Passau Evangelary, expressive images sparkling with gold and silver come to life with vibrant colours. For the first time, this masterpiece of Romanesque book art is made available as a facsimile edition, thus enabling you to experience directly the splendour of this illuminated book.
Manuscript: Munich, Bayerische Staatsbibliothek, Clm 16002
Date of Origin: c. 1170/1180
Place of Origin: Passau (Monastery of the Augustinian Canons at St. Nicola)
Dimensions: c. 32.5 x 22.5 cm
Extent: 88 pages (44 leaves)
Artists: two masters of book illumination from Passau (Saint Peter Master, Ecclesia Master)
Illumination: 8 full-page miniatures, 49 decorated initials, mostly historiated, filled with coloured foliage sprays, silver animals, flowers and figures, extensively applied gold and silver in various nuances
Binding: cloth cover of luxuriously patterned silk fabric modelled after ecclesiastical vestments of the 12th century
Commentary Volume for the Facsimile Edition by Martina Pippal
Print run: 680 copies
Enjoy Viewing a Few Sample Pages:
A Glance at the Facsimile
The four-page section from the Passau Evangelary reproduced here shows fols. 9r-12r. This sequence of pages contains three pericopes pertaining to the church feasts in January (Epiphany), February (Candlemas) and March (Annunciation to the Virgin Mary). Gold decorated initials mark the beginning of each passage. Their foliage sprays are inhabited by birds and other animals, and a figure is climbing the scrolls of the P-initial on fol. 11r. The pericope on the Annunciation to the Virgin on fol. 12r starts with a double initial consisting of the letters “I” and “M”. The miniature of fol. 10v depicts the Presentation in the Temple and illustrates the subsequent pericope read at Candlemas.
A Challenging Production: fac simile
Gold and Silver Coming to Life
The realistic reproduction of gold and silver requires the utmost care and the highest level of perfection by the specialists who produce the facsimile of the Passau Evangelary. After photographing the original page layout, a lithographer executes separate gold and silver prints and compares the proofs with the original. In separate print runs, gold and silver are later applied to the special hand-finished paper that closely resembles medieval parchment. When the facsimile pages are turned, glittering gold and silver reflect the light and give you an authentic experience of this illumination, which is over 800 years old.
A Treasure Binding for the Facsimile
Dating from a later period, the current binding of the Passau Evangelary does not match the Romanesque character of the manuscript. Its reproduction for the facsimile was out of the question. In the twelfth century, precious fabrics were often used for book binding. In cooperation with Swiss specialists in textile art, Quaternio Editions Lucerne therefore selected a fabric woven in the Duchy of Bavaria around the same period as when the Passau Evangelary was created. This softly gleaming silk fabric, sumptuously patterned with pairs of lions and peacocks, was faithfully replicated exclusively for this facsimile.
The Facsimile Folder for the Edition
Quaternio Editions Lucerne has created a facsimile folder for you to accompany the edition of the Passau Evangelary. The folder consists of four pages of an original facsimile bifolium (two leaves) (fols. 10r-11r), depicting the Presentation in the Temple, one of the outstanding full-page miniatures (fol. 10v), and on the opposite page on a blue background, the gold decorated initial opening the text read at Candlemas (fol. 11r). Detailed captions describe these illuminated images. The parchment-like paper enhances the impression of authenticity, replicating the original. A richly illustrated brochure gives you sixteen pages of introduction into the art and history of the Passau Evangelary and, based on numerous examples, explains the fascinating imaginative world of this Romanesque luxury manuscript.