The Paduan Bible Picture Book
The most fascinating Bible at the threshold from Late Gothic to Early Renaissance
The Paduan Bible Picture Book: The Manuscript
A magnificent Bible picture book
The painting style in the Biblical codex from Padua resembles that of Jacopo da Verona, who painted the wonderful frescoes on the life of the Virgin Mary in the Oratory of Saint Michael (a prayer room in the Gothic style). Several art historians see Jacopo as the illuminator of the Paduan Bible Picture Book. In addition to the Lord of Padua, the Church, and numerous members of the wealthy educated class and the nobility are possible candidates for the patron of the Bible Picture Book. The illustration shows frescoes from 1397 by Jacopo da Verona in the Oratorium di San Michele in Padua, which presumably served as models for the Bible Picture Book. Click it to compare the frescoes to a page of miniatures (fol. 54r) from the Paduan Bible!
Whether fresco or miniature: More realism in the reproduction
The art of the book from one of Italy’s oldest cities
Bilderbibel aus Paduar
Under the Magnifying Glass: Images as if in a Film
Bilderbibel aus Padua
The Paduan Bible Picture Book: The Edition
The Manuscript and the Facsimile at a Glance
Manuscript: British Library, London, Add. MS 15277
Date of Origin: shortly before 1400
Place of Origin: Italy, Padua
Format: 32.5 x 23 cm
Extent: 172 pages (86 folios)
Artist: Jacopo da Verona?
Patron: Francesco Novello da Carrara?
Illumination: 529 images – an intoxicating cycle of miniatures illustrating the Old Testament from Exodus 1:11 to the end of the Book of Joshua, with brief legends in old Italian. The descriptions are brief because the pictorial narrative speaks for itself! The miniatures are in principle describing the Biblical events, but they are permeated by secular content.
Binding: Black leather binding with elegant gold embossing on the endpapers, hand-sewn headband, facsimile and commentary volume in handmade linen slipcase.
Commentary Volume for the Facsimile Edition: Dr. Karl-Georg Pfändtner (Director of the Staats- und Stadtbibliothek Augsburg) and Dr. Ulrike Bauer-Eberhardt (formerly of the Bayerische Staatsbibliothek, Munich). Ger. translation of the old Italian text: Dr. Marina Molin Pradel (Bayerische Staatsbibliothek) in collaboration with Prof. Dr. Norbert Kössinger (Otto-von-Guericke-Universität Magdeburg).
Print run : 680 copies
The facsimile edition is being published in the spring of 2023.
Enjoy Viewing 10 Sample Pages :
A Glance at the Paduan Bible Picture Book
The excerpt from the Paduan Bible Picture Book selected for leafing through include fols. 12r–16v. From the story of Moses, you see him receiving the Tablets of the Law, the motif of the relapse into idolatry, the revolt against Moses’ authority, and much more.
The Biblical paraphrases that describe the images, above and below the miniatures, in written not in Latin but in an Italian coloured by the Paduan dialect. Text and image fuse in a unique way the past of the Biblical story and the present-day of the patron from Padua around 1400.
A Challenging Production: fac simile
The Old Testament Comes Alive
The plagues of Egypt, the exodus of the Israelites, Moses and the Ten Commandments, the worshipping Golden Calf, the trumpets of Jericho – many famous stories from the Old Testament come alive. Nearly all of the large-format pages are filled by four framed miniatures; there are also four full-page miniatures. The detailed narrative of the sequences of scenes makes it possible to follow the stories of the Old Testament very well.
Revelling in images
All 172 pages of the Paduan Bible Picture Book are reproduced faithfully with their miniatures. Page after page, the images in freshly radiant colours tell the stories of the Old Testament. The pioneering innovations in mural painting introduced by northern Italian artists, Giotto above all, are evident. Architectural elements, landscape details, and groups are figures are often conceived as unities in these miniatures, drawing us into the depths of the pictorial field.
Brilliant colours and minium
Faithfully to the original, the facsimile has been bound in black leather, and the endpapers of the front and back covers are decorated with elegant gold embossing. The roughness of the paper and its slight waviness convey the sense of holding parchment. Minium – a bright orangish shade – under the paints adds a striking colour accent to the Bible Picture Book that represented a challenge when making the facsimile (see the hearth, fol. 34r). It required all the lithographer’s knowledge to achieve the brilliance of the original in this shade.
The Facsimile Folder for the Edition
A thirty-six-page accompanying brochure with an essay by Dr. Ulrike Bauer-Eberhardt awaits you. The facsimile folder is an introduction to the colourful visual world of the Bible from the perspective of Trecento painters. Test your knowledge of the Bible stories – each folio with its numerous miniatures is explained in word and image. The Paduan Bible Picture Book offers pure visual pleasure. Its miniatures open up a picture gallery that astonishes the eye.
Bilderbibel aus Padua